Parce que des arguments aussi extrêmes sont en effet inclus dans une histoire,
celle de la fin des années 70, quand Star Wars et Thatcher pointaient leur nez...
Heinlein est en bonne compagnie.
Quote:
In the late 1970s, with the Tories preparing to take power and George Lucas’s “Star Wars” saga in ascendancy, he published his pioneering essay “Starship Stormtroopers,” a brilliant, bench-clearing diatribe that ought to be required reading for any speculative-fiction fan who is ready to put down his 20-sided dice and become an adult.
In “Starship Stormtroopers,” Moorcock takes a one-man stand against what he perceives as widespread reactionary politics in genre fiction, railing against not only monolithic science fiction writers like Robert A. Heinlein, Isaac Asimov and A. E. van Vogt (“wild-eyed paternalists to a man,” he declares them), but also C. S. Lewis and J. R. R. Tolkien — titans of fantasy who seemed to be obvious influences on him.
Wielding his pen like Stormbringer, Moorcock writes, “If I were sitting in a Tube train and all the people opposite me were reading ‘Mein Kampf’ with obvious enjoyment and approval it probably wouldn’t disturb me much more than if they were reading Heinlein, Tolkien or Richard Adams.” And then he takes off the kid gloves.
What the “utopian fiction” of such authors teaches its readers, Moorcock argues, is blind obedience to a romantic hero whose motives may be just as ambiguous or pernicious as those of his enemies. “Heroes betray us,” he writes. “By having them, in real life, we betray ourselves.” Left unchecked and unexamined, our desire to believe in these infallible father figures yields Ronald Reagan, George Wallace and Joe McCarthy. And, Moorcock says, “At its most spectacular it gives us Charlie Manson and Scientology.”
Moorcock writes that the only true alternative to such figures is the anarchist: “a mature, realistic adult imposing laws upon the self and modifying them according to an experience of life, an interpretation of the world.”
Source :
Un article du New York Times, à propos d'une réédition d'Elric.
Moorcock ne confond-il pas ici le héros et le père,
deux figures très différentes
(voir
Marionnettes humaines[i] ou [i]Vendredi par exemple ?

)
Et que devient l'anarchiste suprême, Lazarus Long ?
À lire maintenant en ligne,
l'ensemble de la diatribe moorcockienne.